All Monotype typefaces were given a series number, and were referred to exclusively by that number in the works. Printers tended to know them by their names, while caster and keyboard operators would often know both.
Series | Face | Comments | Year of Manufacture | Notes |
---|---|---|---|---|
1 | Modern (No.1) | Roman and Italic | 1900 | Miller & Richard |
2 | Old Style (No.2) | Roman and Italic | 1901 | Stephenson Blake |
3 | Antique Old Style (No.3) | Roman and Italic | 1902 | Miller & Richard |
3 | Old Style Antique | see Antique Old Style | 1902 | Miller & Richard |
4 | Gothic | see Grotesque Condensed | 1902 | Miller & Richard |
4 | Grotesque Condensed | Withdrawn in 1967 | 1902 | Miller & Richard |
5 | Albion | Roman | 1902 | Miller & Richard |
6 | Ionic | see Modern | 1907 | Miller & Richard |
6 | Modern (No.4) | Withdrawn in 1967 | 1907 | Miller & Richard |
7 | Modern Extended (No.1) | Roman and Italic | 1902 | Miller & Richard |
8 | Old Style Condensed | Withdrawn in 1967 | 1903 | Stephenson Blake |
9 | Antique Latin | see Latin Antique | 1902 | Miller & Richard |
9 | Latin Antique | Roman | 1902 | Miller & Richard |
10 | Ronaldson | Roman and Italic | 1902 | American Type Founders |
10 | Ronaldson Old Style | see Ronaldson | 1902 | American Type Founders |
11 | Grotesque Bold Condensed (Cyrillic) | Withdrawn in 1967 | ||
11 | Grotesque Bold Condensed | Withdrawn in 1967 | 1908 | |
12 | Clarendon | Roman | 1903 | Miller & Richard |
13 | Modern Condensed (No.1) | Roman and Italic | 1903 | Caslon |
14 | Modern Condensed (No.2) | Roman and Italic | 1903 | Stevens, Shanks & Son |
15 | Grotesque Bold Condensed (No.2) | Roman and Italic | 1902 | Miller & Richard |
15 | SansUSerif | see Grotesque Bold Condensed | 1902 | Miller & Richard |
16 | Modern Wide (No.1) | Roman and Italic | 1903 | Miller & Richard |
17 | Cushing (Cyrillic) | Withdrawn in 1967 | ||
17 | Cushing | Withdrawn in 1967 | 1903 | American Type Founders |
18 | Modern Wide (No.2) | Roman and Italic | 1903 | Miller & Richard |
19 | Elzevir | Roman and Italic | 1904 | American Type Founders |
20 | Old Face (Special) | Withdrawn in 1967 | 1903 | Caslon |
21 | De Vinne | see De Vinne Condensed | 1905 | American Type Founders |
21 | De Vinne Condensed | Withdrawn in 1967 | 1905 | American Type Founders |
22 | Schoeffer | Withdrawn in 1964 | 1907 | American Type Founders |
23 | Iroquois Condensed | Withdrawn in 1964 | 1907 | American Type Founders |
24 | Gaelic | 1903 | ||
25 | Modern Wide (No.3) | Roman and Italic | 1903 | |
26 | Modern Wide (No.4) | Roman and Italic | 1903 | Miller & Richard |
27 | Neo Didot (Cyrillic) | |||
27 | Neo Didot | Roman and Italic | 1904 | |
28 | Wittenberger Fraktur | 1904 | Schelter & Giesecke | |
29 | Wittenberger Fraktur Halbfette | 1904 | Schelter & Giesecke | |
30 | Modern Wide (No.5) | Roman and Italic | 1904 | Miller & Richard |
31 | Armin Fraktur | Withdrawn in 1972 | 1904 | Benjamin Krebs Nachfolger |
32 | Armin Fraktur Fette | Withdrawn in 1972 | 1904 | Benjamin Krebs Nachfolger |
33 | Grotesque Condensed (Cyrillic) | |||
33 | Grotesque | see Grotesque Condensed | 1905 | American Type Founders |
33 | Grotesque Condensed (No.2) | Roman | 1905 | American Type Founders |
34 | Armin Fraktur Halbfette | Withdrawn in 1967 | 1904 | Benjamin Krebs Nachfolger |
35 | Neue Schwabacher | Withdrawn in 1972 | 1904 | Berthold |
36 | Neue Schwabacher Halbfette | Withdrawn in 1972 | 1904 | Berthold |
37 | Bamberger Fraktur | Withdrawn in 1967 | 1904 | Series 31 extended |
38 | Fraktur Reichsdruckerei | Withdrawn in ? | 1906 | Copyright |
39 | Modern Condensed (Cyrillic) | |||
39 | Modern Condensed (No.3) | Roman and Italic | 1907 | Genzsch & Heyse |
40 | Kasseler Fraktur | 1905 | Gottfried Böttger | |
41 | Kasseler Fraktur Halbfette | 1905 | Gottfried Böttger | |
42 | Albion (Cyrillic) | |||
42 | Albion (No.2) | Roman | 1906 | |
43 | Old Face | see Scotch Roman | 1906 | Miller & Richard |
43 | Scotch Roman | Withdrawn in 1967 | 1906 | Miller & Richard |
44 | French Round Face (Cyrillic) | |||
44 | French Round Face | Roman and Italic | 1906 | Deberny |
45 | Old Face Standard | Withdrawn in 1967 | 1906 | |
46 | Old Face | see Scotch Roman | 1907 | Miller & Richard |
46 | Scotch Roman (No.1) | Roman and Italic | 1907 | Miller & Richard |
47 | Regensburger Fraktur | Withdrawn in 1967 | 1906 | |
48 | Bamberger Fraktur Halbfette | Withdrawn in 1964 | 1907 | Series 34 extended |
49 | Bamberger Fraktur Fette | Withdrawn in 1967 | 1906 | Benjamin Krebs Nachfolger |
50 | Old Style Condensed | Withdrawn in 1967 | 1907 | Miller & Richard |
51 | Grotesque (Cyrillic) | |||
51 | Grotesque (No.2) | 1910 | Miller & Richard | |
52 | Half Fat Modern Mediaeval | see Schurmann Antiqua Halbfette | ||
52 | Mediaeval Modern Half Fat | see Schurmann Antiqua Halbfette | ||
52 | Modern Mediaeval (HalfUFat) | see(Schurmann Antiqua Halbfette | ||
52 | Schurmann Antiqua Halbfette | Withdrawn in 1967 | ||
53 | Bold Face | see Old Style Bold | 1911 | L.M.C. (No. 79J) |
53 | Old Style Bold (No.1) | Roman and Italic | 1911 | L.M.C. (No. 79J) |
54 | Italic Display | see Modern Bold Italic | 1911 | |
54 | Modern Bold Italic | Italic | 1911 | |
55 | Gloucester Bold Italic (No.2) | Withdrawn in 1967 | 1911 | |
55 | Old Style Italic Display | see Gloucester Bold Italic | 1911 | |
56 | Kölner Fraktur | Withdrawn in 1972 | 1911 | |
57 | Kölner Fraktur Halbfette | Withdrawn in 1964 | 1911 | |
58 | Kölner Fraktur Fette | Withdrawn in 1972 | 1911 | |
59 | Veronese | Withdrawn in 1967 | 1911 | J. M. Dent |
60 | Antique Latin | see Latin Antique | 1911 | Series 9 condensed |
60 | Latin Antique (No.2) | Roman | 1911 | Series 9 condensed |
61 | Solis Fraktur | Withdrawn in 1967 | 1907 | Benjamin Krebs Nachfolger (Typograph No.1) |
62 | Solis Fraktur Fette | Withdrawn in 1964 | 1907 | Benjamin Krebs Nachfolger (Typograph No.6) |
63 | Albion (Cyrillic) | |||
63 | Albion (No.3) | Roman | 1908 | |
64 | Moderne Fraktur | Withdrawn in 1972 | 1908 | |
65 | Neo Didot (No.2) | Roman and Italic | 1908 | |
66 | Moderne Fraktur Fette | Withdrawn in 1972 | 1909 | |
67 | Mediaeval Old Style | see(Old Style | 1908 | Ferdinand Theinhardt |
67 | Old Style | Withdrawn in 1967 | 1908 | Ferdinand Theinhardt |
68 | French Old Style (Cyrillic) | |||
68 | French Old Style | Roman and Italic | 1908 | Gottfried Böttger |
69 | French Old Style Bold (Cyrillic) | |||
69 | French Old Style (HalfUFat) | see French Old Style Bold | 1908 | Gottfried Böttger |
69 | French Old Style Bold | Roman | 1908 | Gottfried Böttger |
70 | Albion (Cyrillic) | |||
70 | Albion (No.4) | Roman | 1908 | |
71 | Didot | Roman and Italic | 1908 | Firmin Didot |
72 | Egyptian Extended | Roman | 1909 | Linotype |
73 | Gothic Extended | see Grotesque Bold | 1909 | |
73 | Grotesque Bold (No.3) | Roman | 1909 | |
74 | Albion Extended | Roman | 1909 | Fonderie Turlot |
74 | Antique Extended | see(Albion Extended | 1909 | Fonderie Turlot |
75 | Modern Wide (Cyrillic) | Withdrawn in 1967 | 1909 | |
75 | Modern Wide (No.6) | Withdrawn in 1967 | 1909 | |
76 | French Face Extended | Withdrawn in 1967 | 1910 | Fonderie Turlot |
77 | Modern Extended (Cyrillic) | Withdrawn in 1967 | 1909 | |
77 | Modern Extended (No.2) | Withdrawn in 1967 | 1909 | |
78 | Antique Latin | see Latin Antique | 1909 | |
78 | Latin Antique | Roman | 1909 | |
79 | Modern Condensed No.4 | Withdrawn in 1965 | 1909 | |
80 | Modern (No.2) | Withdrawn in 1967 | 1909 | Stephenson Blake |
81 | Grotesque Bold Condensed (No.3) | Roman | 1910 | Miller & Richard |
81 | SansUSerif | see Grotesque Bold Condensed | 1910 | Miller & Richard |
82 | Typewriter (No.1) | Roman | 1911 | I.T.F. |
82 | Typewriter Underlined | Roman | 1911 | I.T.F. |
83 | Wurzberger Fraktur | Withdrawn in 1972 | 1909 | Genzsch & Heyse |
84 | Antique Latin | see Latin Antique | 1910 | Miller & Richard |
84 | Latin Antique (No.4) | Withdrawn in 1967 | 1910 | Miller & Richard |
85 | Gaelic Display | 1910 | ||
86 | Moderne Schwabacher | Withdrawn in 1972 | 1910 | |
87 | Moderne Fraktur Halbfette | Withdrawn in 1967 | 1910 | |
88 | Mediaeval Modern | see Modern Mediaeval | 1910 | |
88 | Modern Mediaeval | Withdrawn in 1964 | 1910 | |
89 | Neudeutsche Fraktur | Withdrawn in 1967 | 1910 | |
89 | Fraktur Antiqua | see Neudeutsche Fraktur | 1910 | |
90 | Greek: Upright (Greek) | 1910 | Schelter & Giesecke | |
90 | Upright Greek | see Greek Upright | 1910 | Schelter & Giesecke |
91 | Greek: Inclined (Greek) | 1910 | Schelter & Giesecke | |
91 | Inclined Greek | see Greek Inclined | 1910 | Schelter & Giesecke |
92 | Greek Upright Display (Greek) | see Greek Bold Upright | 1910 | |
92 | Greek: Bold Upright (Greek) | 1910 | ||
93 | Moderne Schwabacher Halfbette | Withdrawn in 1972 | 1910 | |
94 | Große Moderne Fraktur | Withdrawn in 1967 | 1910 | |
95 | Modern (No.5) | Withdrawn in 1967 | 1910 | Genzsch & Heyse |
96 | Grotesque (No.3) (Cyrillic) | Withdrawn in 1965 | 1910 | |
97 | Grotesque Bold (No.2) (Cyrillic) | Withdrawn in 1967 | ||
97 | Gothic Wide | see Grotesque Bold | ||
97 | Grotesque Bold (No.2) | Withdrawn in 1967 | 1910 | |
97 | Wide Gothic | see Grotesque Bold | 1910 | |
98 | Alte Monotype Fraktur | Withdrawn in 1972 | 1911 | Offizin W. Drugulin |
99 | Gloucester | see Gloucester Old Style | 1911 | Caslon |
99 | Gloucester Old Style | Roman and Italic | 1911 | Caslon |
100 | Typewriter (No.2) | Roman | 1911 | |
100 | Typewriter Underlined | Roman | 1911 | |
101 | Imprint | Roman and Italic | 1912 | In house (w/G. Meynell, J.H. Mason, E. Johnston, F.E. Jackson) |
101 | Imprint Old Face | see Imprint | 1912 | In house (w/G. Meynell, J.H. Mason, E. Johnston, F.E. Jackson) |
102 | Alte Schwabacher | Withdrawn in 1972 | 1913 | Genzsch & Heyse |
103 | Gloucester Bold | Roman and Italic | 1912 | American Type Founders |
104 | Old Style | Withdrawn in 1964 | 1912 | Stevens, Shanks & Son |
105 | Typewriter (No.3) | Roman | 1912 | Roneo |
105 | Typewriter Underlined | Roman | 1912 | Roneo |
106 | Porson (Greek) | 1912 | ||
107 | Egyptian (No.1) | Roman | 1913 | |
108 | Italian Old Style | Roman and Italic | 1912 | J. M. Dent |
109 | French Old Style (No.2) | Withdrawn in 1967 | 1913 | Genzsch & Heyse |
110 | Plantin | Roman and Italic | 1913 | In house (Frank Hinman Pierpont) |
111 | French Modern | Withdrawn in 1967 | 1913 | Deberny |
112 | Egyptian Condensed | Withdrawn in 1967 | 1913 | Deberny |
113 | Plantin Light (Cyrillic) | |||
113 | Light Face Plantin | see Plantin Light | 1914 | In house (Frank Hinman Pierpont) |
113 | Plantin Light | Roman and Italic | 1914 | In house (Frank Hinman Pierpont) |
113 | Plantin Light Face | see Plantin Light | 1914 | In house (Frank Hinman Pierpont) |
114 | Trojan | Withdrawn in 1967 | 1913 | Genzsch & Heyse |
115 | Newspaper Small Advertisements | Withdrawn in 1965 | 1913 | Miller & Richard |
116 | Breitkopf Fraktur (No.1) | Withdrawn in 1972 | 1914 | |
117 | Gaelic | see Gaelic SansUSerif | 1913 | In house |
117 | Gaelic Display | see Gaelic SansUSerif | 1913 | In house |
117 | Gaelic SansUSerif | 1913 | In house | |
118 | Mainzer Fraktur | Withdrawn in 1972 | 1914 | Berthold |
119 | Blado Italic | Italic(to match Poliphilus (Series 170) | 1925 | In house |
120 | Bodoni Ultra Bold (Cyrillic) | |||
120 | Bodoni Ultra Bold | Roman and Italic | 1936 | American Type Founders |
120 | Ultra Bodoni | see Bodoni Ultra Bold | 1936 | American Type Founders |
121 | Colm Cille | see Gaelic: Colm Cille | 1936 | In house |
121 | Gaelic: Colm Cille | 1936 | In house | |
122 | Old Style (Prumyslava) | Roman, Withdrawn in 1964 | 1926 | Copyright |
123 | Worcester Old Face | Withdrawn in 1965 | 1925 | |
124 | Antique Old Style (No.1) | Withdrawn in 1967 | 1914 | Miller & Richard (Old Style Antique 7) |
124 | Old Style Antique | see Antique Old Style | 1914 | Miller & Richard (Old Style Antique 7) |
125 | Mediaeval | Roman, Withdrawn in 1965 | 1916 | |
126 | Grotesque | see Grotesque Light No.1 | 1926 | Berthold |
126 | Grotesque Light (No.1) | Roman and Italic | 1926 | Berthold |
127 | Typewriter (No.4) | Roman | 1927 | Stephenson Blake |
128 | Caslon | Roman and Italic | 1915 | William Caslon |
128 | Caslon Old Face | see Caslon | 1915 | William Caslon |
129 | Egyptian | see Egyptian Bold | 1915 | |
129 | Egyptian Bold (No.1) | Roman | 1915 | |
130 | Egyptian (No.2) | Withdrawn in 1967 | 1916 | |
131 | De Vinne | Withdrawn in 1967 | 1917 | L.M.C. |
132 | Mainzer Fraktur Halbfette | Withdrawn in 1972 | 1921 | Berthold |
133 | Chu Yin | Withdrawn in 1967 | 1920 | |
134 | Mediaeval | Roman, Withdrawn in 1965 | 1920 | |
135 | Bodoni (No.3) | Roman and Italic | 1921 | |
136 | Mediaeval | Roman, Withdrawn in 1965 | 1922 | |
137 | Old Face | see Scotch Roman | 1920 | Miller & Richard |
137 | Scotch Roman (No.2) | Roman and Italic | 1920 | Miller & Richard |
138 | Old Style Bold (No.3) | Roman. Withdrawn in 1965 | 1923 | |
139 | Plate Gothic | see Spartan Light | 1921 | L.M.C. |
139 | Spartan Light | Roman | 1921 | L.M.C. |
140 | Gothic Plate | see Spartan | 1923 | L.M.C. |
140 | Plate Gothic | see Spartan | 1923 | L.M.C. |
140 | Spartan | Roman | 1923 | L.M.C. |
141 | Gothic Plate | see Spartan Bold | 1921 | L.M.C. |
141 | Plate Gothic | see Spartan Bold | 1921 | L.M.C. |
141 | Spartan Bold | Roman | 1921 | L.M.C. |
142 | Plate Gothic | see Spartan Light Condensed | 1923 | L.M.C. |
142 | Spartan Light Condensed | Roman | 1923 | L.M.C. |
143 | Gothic Plate | see Spartan Condensed | 1923 | L.M.C. |
143 | Plate Gothic | see Spartan Condensed | 1923 | L.M.C. |
143 | Spartan Condensed | Roman | 1923 | L.M.C. |
144 | Plate Gothic Italic | see Spartan Italic | 1926 | L.M.C. |
144 | Spartan Italic | Italic | 1926 | L.M.C. |
145 | Plate Gothic | see Spartan Wide | 1923 | L.M.C. |
145 | Spartan Wide | Roman | 1923 | L.M.C. |
146 | Engraver s Title | see Engravers Titling | 1924 | L.M.C. |
146 | Engravers Titling | Roman | 1924 | L.M.C. |
147 | Engravers Bold Titling | Roman | 1924 | L.M.C. |
147 | Engravers Titling | see Engravers Bold Titling | 1924 | L.M.C. |
147 | Engravers Titling: Bold | see Engravers Bold Titling | 1924 | L.M.C. |
148 | French Old Style (No.3) | Withdrawn in 1967 | 1921 | Gottfried Böttger |
149 | Italian Old Style Bold | Roman | 1922 | Amsterdam Type Foundry |
149 | Italian Old Style Display | see Italian Bold Style Bold | 1922 | Amsterdam Type Foundry |
150 | Gothic | see Grotesque Bold Extended | 1921 | Miller & Richard |
150 | Grotesque Bold Extended (No.1) | Roman and Italic | 1921 | Miller & Richard |
151 | Old Style (No.4) | Roman and Italic | 1922 | Miller & Richard |
152 | Gloucester Old Style Wide | see Gloucester Wide | 1922 | |
152 | Gloucester Wide | Withdrawn in 1967 | 1922 | |
153 | Antique Extended | see Ionic (No.4) | 1922 | Miller & Richard |
153 | Ionic (No.4) | Withdrawn in 1967 | 1922 | Miller & Richard |
154 | Chiswell Old Face | Roman and Italic | 1922 | American Type Founders |
154 | Old Face | see Chiswell Old Face | 1922 | American Type Founders |
155 | Devanagari | 1923 | ||
156 | Garamond | Roman and Italic | 1922 | In house (Rom: Jean Jannon, It: Robert Granjon) |
157 | Clearface Bold | Roman and Italic | 1922 | American Type Founders |
158 | Gloucester | see Gloucester Old Style | 1922 | Based on Series 99 |
158 | Gloucester Old Style (No.2) | Withdrawn in 1967 | 1922 | Based on Series 99 |
158 | Gloucester Old Style Condensed | see Gloucester Old Style | 1922 | Derived from Series 99 |
159 | Old Face Heavy | see Old Style Bold | 1922 | Caslon |
159 | Old Style Bold (No.2) | Roman | 1922 | Caslon |
160 | Gloucester Bold Italic (No.1) | Italic | 1922 | |
161 | Antique Old Style (No.2) | Roman and Italic | 1922 | Miller & Richard |
161 | Old Style Antique | see Antique Old Style | 1922 | Miller & Richard |
162 | Egyptian (No. 3) | Withdrawn in 1967 | 1922 | |
163 | Newspaper Smalls | Withdrawn in 1967 | 1922 | |
164 | Latin Wide | Withdrawn in 1967 | 1922 | |
164 | Wide Latin | see Latin Wide | 1922 | |
165 | Cochin | Roman and Italic | 1923 | Deberny |
166 | Grotesque Bold Condensed Titling (Cyrillic) | |||
166 | Gothic Narrow | see Grotesque Bold Condensed Titling | 1922 | |
166 | Grotesque Bold Condensed (No.4) | see Grotesque Bold Condensed Titling | 1922 | |
166 | Grotesque Bold Condensed (No.4) Titling | Roman | 1922 | |
166 | Narrow Gothic | see Grotesque Bold Condensed Titling | 1922 | |
167 | Bold Face | see De Vinne Italic | 1922 | American Type Founders |
167 | Bold Italic | see de Vinne Italic | 1922 | American Type Founders |
167 | De Vinne Italic | Withdrawn in 1967 | 1922 | American Type Founders |
168 | Gothic | see Grotesque Bold Extended | 1922 | American Type Founders |
168 | Grotesque Bold Extended | Withdrawn in 1967 | 1922 | American Type Founders |
169 | Baskerville (Cyrillic) | |||
169 | Baskerville | Roman and Italic | 1923 | In house (John Baskerville) |
170 | Poliphilus | Roman | 1923 | In house |
171 | Egyptian | see Egyptian Bold | 1923 | Stevens, Shanks & Son |
171 | Egyptian Bold (No.3) | Withdrawn in 1967 | 1923 | Stevens, Shanks & Son |
172 | Gloucester Bold (No.2) | Withdrawn in 1967 | 1923 | Derived from Series 103 |
173 | Egyptian (No.4) | Roman | 1923 | Derived from Series 72 |
174 | Garamond Italic (No.2) | Italic | 1923 | Derived from Series 156 |
175 | Rockwell Shadow | Roman | 1934 | In house |
175 | Rockwell Shadow Titling | see Rockwell Shadow | 1934 | In house |
176 | Bold Face Outline | see Old Style Bold Outline | 1923 | Derived from Series 53 |
176 | Old Style Bold Outline | Roman | 1923 | Derived from Series 53 |
176 | Outline | see Old Style Bold Outline | 1923 | Derived from Series 53 |
177 | Gothic | see Grotesque Newspaper Smalls | 1924 | Derived from Series 73 |
177 | Grotesque Newspaper Smalls | Withdrawn in 1965 | 1924 | Derived from Series 73 |
177 | Newspaper Small Ads | see Grotesque Newspaper Smalls | 1924 | Derived from Series 73 |
178 | Barbou | Roman and Italic | 1958 | Pierre Simon Fournier |
179 | Modern Titling | Roman and Italic | 1924 | |
179 | Titling | see Modern Titling | 1924 | |
179 | Titling Modern No.1 | see Modern Titling | 1924 | |
180 | Titling | see Victoria Bold Condensed Titling | 1924 | Stevens, Shanks & Son |
180 | Titling Condensed | see Victoria Bold Condensed Titling | 1924 | Stevens, Shanks & Son |
180 | Victoria Bold Condensed Titling | Roman | 1924 | Stevens, Shanks & Son |
181 | Titling | see Victoria Condensed Titling | 1924 | Stephenson Blake |
181 | Victoria Condensed Titling | Roman | 1924 | Stephenson Blake |
182 | Titling | see Victoria Titling | 1924 | Stephenson Blake |
182 | Victoria Titling | Roman | 1924 | Stephenson Blake |
183 | Modern (No.6) | Withdrawn in 1967 | 1924 | Stevens, Shanks & Son |
183 | Titling | see Modern (No.6) | 1924 | Stevens, Shanks & Son |
184 | Egyptian | see Ionic No.4 | 1924 | Caslon |
184 | Ionic (No.3) | Withdrawn in 1967 | 1924 | Caslon |
185 | Fournier | Roman and Italic | 1924 | Pierre Simon Fournier |
185 | Fournier Old Face | see Fournier | 1924 | Pierre Simon Fournier |
186 | Nurnburger Gotisch Schmale | Withdrawn in 1965 | 1926 | |
187 | Schmalfette Frankfurter Fraktur | Withdrawn in 1967 | 1926 | |
188 | Horley Old Style | Superceded by 199. Withdrawn in 1965 | 1925 | |
189 | Modern (No.3) | Roman and Italic | 1924 | Miller & Richard |
190 | Imprint Shadow | Roman and Italic | 1925 | |
191 | Modern | 1924 | Reserved (Exclusive to Mardon, Son & Hall) | |
192 | New Hellenic (Greek) | Latin Capitals pased to manufacture in 1970 | 1927 | In house |
193 | Gloucester Bold Condensed TwoULine | Withdrawn in 1965 | 1925 | |
194 | Plantin Bold (Cyrillic) | 1925 | ||
194 | Plantin Bold | Roman and Italic | 1925 | |
194 | Plantin Heavy | see Plantin Bold | 1925 | |
195 | Bodoni Bold | Roman | 1926 | |
196 | Surrey Old Style | Withdrawn in 1967 | 1925 | |
197 | Canterbury | Withdrawn in 1967 | 1925 | Stephenson Blake |
198 | Gloucester Bold Condensed | Roman | 1925 | Caslon |
199 | Horley Old Style | Roman and Italic | 1925 | In house (After Kennerley) |
200 | Perpetua Bold Titling | Roman | 1935 | Eric Gill |
201 | Garamond Bold (Cyrillic) | |||
201 | Garamond Bold | Roman and Italic | 1925 | |
201 | Garamond Heavy | see Garamond Bold | 1925 | |
202 | Hessen Fraktur Halbfette | Withdrawn in 1964 | Superseded by Series 417 | |
203 | Van Dijck | Roman and Italic | 1936 | |
204 | Gothic Light Face | see Grotesque Light Condensed (No.1) | 1925 | |
204 | Grotesque Light Condensed (No.1) | Withdrawn in 1967 | 1925 | |
204 | Light Face Gothic | see Grotesque Light Condensed (No.1) | 1925 | |
205 | Unger Fraktur | Withdrawn in 1972 | 1925 | |
206 | Pastonchi | Roman and Italic | 1926 | F. Pastonchi, E. Cotti |
207 | Antique (No.1) | see(Antique Old Style | 1925 | _ |
207 | Antique Old Style | Roman and Italic | 1925 | _ |
208 | Gwendoline | Withdrawn in 1967 | 1935 | William Graily Hewitt |
209 | Caslon Titling | Roman | 1925 | |
209 | Titling | see Caslon Titling | 1925 | |
210 | Musical Signs | 1925 | ||
211 | Century (No.2) | Roman | 1925 | |
211 | Modern | see Century | 1925 | |
212 | Grotesque Bold Condensed (No.5) | Withdrawn in 1964 | 1925 | |
213 | Bernard Condensed | Roman | 1926 | |
213 | Condensed Bold | see Bernard Condensed | 1926 | |
214 | Goudy Extra Bold | Roman and Italic | 1926 | |
214 | Goudy Heavy | see Goudy Extra Bold | 1926 | |
214 | Goudy Heavy Face | see Goudy Extra Bold | 1926 | |
215 | Grotesque (No.1) | Roman and Italic | 1927 | Berthold (Ideal Grotesk) |
215 | Grotesque Half Fat | see Grotesque No.1 | 1927 | Berthold (Ideal Grotesk) |
216 | Grotesque | see Grotesque Bold | 1926 | |
216 | Grotesque ¾ Fat | see Grotesque Bold No.1 | 1926 | |
216 | Grotesque Bold (No.1) | Roman and Italic | 1926 | |
217 | Peninim Pointed (heb) | 1927 | Berthold | |
218 | Hebrew Sonzino (pointed) (heb) | see Sonzino | 1927 | |
218 | Sonzino (heb) | 1927 | ||
219 | Ashurith (unpointed) (heb) | 1927 | ||
219 | Hebrew Ashurith (heb) | see Ashurith | 1927 | |
220 | Hebrew Peninim (heb) | see Peninim | 1927 | |
220 | Peninim (unpointed) (heb) | 1927 | ||
221 | Hebrew Levenim (heb) | see Levênim | 1926 | Berthold |
221 | Levênim (unpointed) (heb) | 1926 | ||
222 | Hebrew (heb) | 1913 | ||
222 | Unpointed Hebrew | see Hebrew | 1913 | |
223 | Antique Heavy | see Devonshire Bold | 1927 | American Type Founders |
223 | Devonshire Bold | Withdrawn in 1967 | 1927 | American Type Founders |
223 | Heavy Antique | see Devonshire Bold | 1927 | American Type Founders |
224 | Antique Heavy Condensed | see Devonshire Bold Condensed | 1927 | American Type Founders |
224 | Condensed Heavy Antique | see Devonshire Bold Condensed | 1927 | American Type Founders |
224 | Devonshire Bold Condensed | Withdrawn in 1967 | 1927 | American Type Founders |
225 | Colonna | Roman | 1927 | |
226 | Treyford | 1927 | Copyright (Exclusive to Oxford University Press) | |
227 | Century (No.1) | see Century Schoolbook | 1935 | Morris Fuller Benton |
227 | Century Schoolbook | Roman and Italic | 1935 | Morris Fuller Benton |
228 | Hebrew Rabbinic (heb) | see Rabinnic | 1927 | |
228 | Rabbinic (heb) | 1927 | ||
229 | Two Line Gloucester Bold Condensed | Withdrawn in 1965 | 1927 | |
230 | Poliphilus Titling | Roman | 1927 | Derived from Series 170 |
231 | Gill Sans Titling | Roman | 1928 | Eric Gill |
231 | Gill Sans Serif Titling | see Gill Sans Titling | 1928 | Eric Gill |
232 | Antique Old Style (No.4) Italic | Withdrawn in 1965 | 1935 | |
233 | Gill Sans Cameo (Cyrillic) | |||
233 | Gill Sans Cameo | Roman | 1934 | In house (After Gill Sans) |
233 | Gill SansUSerif Cameo | see Gill Sans Cameo | 1934 | In house (After Gill Sans) |
234 | Shakespeare Titling | Withdrawn in 1967 | 1927 | |
234 | Titling | see Shakespeare Titling | 1927 | |
235 | Elite Typewriter | see Typewriter | 1927 | |
235 | Typewriter (No.5) | (Elite) Roman | 1927 | |
236 | Plantin Bold Condensed | Roman | 1927 | |
236 | Plantin Heavy Condensed | see Plantin Bold Condensed | 1927 | |
237 | Modern French | 1927 | Copyright (Exclusive to Imprimerie Nationale) | |
238 | Ashley Crawford | Withdrawn in 1967 | 1927 | Ashley Havinden |
239 | Perpetua | Roman and Italic | 1928 | Eric Gill |
240 | Old Face | Withdrawn in 1964 | 1927 | |
241 | Egyptian Condensed (No.2) | 1927 | Copyright (Exclusive to Imprimerie Nationale) | |
242 | Gloucester Condensed | Withdrawn in 1967 | 1928 | |
242 | Gloucester Old Style Condensed | see Gloucester Condensed | 1928 | |
243 | Gloucester Bold Extended | Roman | 1928 | American Type Founders |
244 | Grotesque Light (No.2) | Withdrawn in 1965 | 1927 | |
245 | Bold Face Italic No.2 | see Old Style Bold Italic (No.2) | 1928 | |
245 | Old Style Bold Italic (No.2) | Withdrawn in 1967 | 1928 | |
246 | Othello | 1928 | ||
247 | Modern French | Withdrawn in 1965 | 1928 | Copyright (Exclusive to Imprimerie Nationale) |
248 | Othello Shadow | Withdrawn in 1967 | 1928 | |
249 | Goudy Modern | Roman and Italic | 1928 | Frederic Goudy (American Type Founders) |
250 | Modern (No.6) | see Modern Condensed | 1928 | Reichsdruckerei |
250 | Modern Condensed (No.5) | Roman | 1928 | Reichsdruckerei |
251 | Egyptian | see Egyptian Condensed | 1928 | |
251 | Egyptian Condensed (No.3) | Roman | 1928 | |
252 | Arrighi Italic | see Centaur | 1928 | Frederic Warde |
252 | Centaur | Roman and Italic | 1928 | Bruce Rogers (Rom) & Frederic Warde (Ita) |
253 | Bold Face No.2 | see Old Style Bold | 1927 | Caslon |
253 | Bold Face Special Line | see Old Style Bold | 1927 | Caslon |
253 | Old Style Bold (No.4) | Withdrawn in 1967 | 1927 | Caslon |
254 | Bodoni (No.4) | Withdrawn in 1967 | 1925 | |
254 | Bodoni No.2 | see Bodoni No.4 | 1925 | |
255 | Lutetia | Roman and Italic | 1928 | Jan Van Krimpen (Enschedé) |
256 | Dürer Fraktur | 1928 | Stempel AG | |
257 | Modern | see Modern Wide | 1928 | Miller & Richard |
257 | Modern Wide (No.7) | Withdrawn in 1967 | 1928 | Miller & Richard |
258 | Perpetua Titling | Roman | 1928 | Eric Gill |
259 | Antigone (Greek) | Withdrawn in 1966 | 1928 | Enschedé |
259 | Greek: Enschedé | see Antigone | 1928 | Enschedé |
260 | Bodoni Bold (Cyrillic) | |||
260 | Bodoni Bold (No.2) | Roman and Italic | 1929 | American Type Founders |
260 | Bodoni Heavy | see Bodoni Bold | 1929 | American Type Founders |
261 | Horley Old Face Heavy | see Horley Old Style Bold | 1928 | |
261 | Horley Old Style Bold | Roman | 1928 | |
262 | Gill Sans (Cyrillic) | |||
262 | Gill Sans | Roman and Italic | 1929 | Eric Gill |
262 | Gill SansUSerif | see Gill Sans | 1929 | Eric Gill |
263 | Modern Cancellation | Roman | 1913 | Miller & Richard |
264 | Albion | Withdrawn in 1965 | 1929 | |
265 | Ionic (No.1) | Withdrawn in 1967 | 1929 | Miller & Richard |
266 | Gloucester Bold Condensed | Withdrawn in 1965 | 1928 | |
267 | SansUSerif Dictionary | Withdrawn in 1965 | 1929 | |
268 | Goudy Catalogue | Roman and Italic | 1928 | Frederic Goudy (American Type Founders) |
269 | Goudy Bold (No.1) | Roman and Italic | 1929 | Frederic Goudy (American Type Founders) |
270 | Aldine Bembo | see Bembo | 1929 | In house (After Francesco Griffo) |
270 | Bembo | Roman and Italic | 1929 | In house (After Francesco Griffo) |
271 | Cloister Bold | Withdrawn in 1967 | 1929 | Miller & Richard |
272 | Cloister Old Style | Withdrawn in 1967 | 1929 | American Type Founders |
273 | Wigan Condensed | Withdrawn in 1965 | 1929 | In house |
274 | Grotesque | see Grotesque Light Condensed | 1929 | Berthold |
274 | Grotesque Light Condensed (No.2) | Roman | 1929 | Berthold |
275 | Gill Sans Bold (Cyrillic) | |||
275 | Gill Bold SansUSerif | see Gill Sans Bold | 1929 | Eric Gill |
275 | Gill Sans Bold | Roman and Italic | 1929 | Eric Gill |
275 | Gill SansUSerif Bold | see Gill Sans Bold | 1929 | Eric Gill |
276 | Solus | Withdrawn in 1967 | 1932 | In house (After Eric Gill) |
277 | Unger Fraktur Halbfette | Withdrawn in 1972 | 1929 | |
278 | Braggadocio | Roman | 1929 | W.A. Woolley |
279 | Ashley Crawford Plain | Withdrawn in 1967 | 1929 | Ashley Havinden |
280 | Tamil | 1930 | ||
281 | Plantin Old Style (No.2) | Withdrawn in 1967 | 1930 | |
282 | Egyptian Bold Condensed | Roman | 1930 | In house |
282 | Egyptian Heavy | see Egyptian Bold Condensed | 1930 | In house |
282 | Heavy Egyptian | see Egyptian Bold Condensed | 1930 | In house |
283 | Greek Perpetua (Greek) | see Perpetua Greek | 1929 | In house |
283 | Perpetua (Greek) | Withdrawn in 1967 | 1929 | In house |
284 | Littleworth | Withdrawn in 1967 | 1932 | In house |
285 | Fournier Old Face (Shortened Caps) | see Fournier Shortened Capitals | 1927 | |
285 | Fournier Shortened Capitals | Roman and Italic | 1927 | |
286 | Deutsch Romisch Bold | Withdrawn in 1967 | 1931 | C.E. Weber Typefoundry (F.H.E. Schneidler) |
287 | Plantin Bold (No.2) | Withdrawn in 1968 | 1930 | |
287 | Plantin Heavy No.2 | see Plantin Bold (No.2) | 1930 | |
288 | Bodoni (No.1) | Withdrawn in 1967 | 1935 | |
289 | Plantin Condensed | Withdrawn in 1967 | 1930 | |
290 | Gill Sans Shadow Line | Roman | 1931 | In house (After Eric Gill) |
290 | Gill SansUSerif Shadowline | see Gill Sans Shadow Line | 1931 | In house (After Eric Gill) |
291 | Goudy Old Style | Roman and Italic | 1930 | Frederic Goudy (American Type Founders) |
292 | Goudy Text | 1931 | Frederic Goudy (American Type Founders) | |
293 | Lombardic Capitals | (goes with Goudy Text 292) | 1931 | |
294 | Bembo Condensed Italic | Italic | 1933 | In house |
294 | Narrow Bembo Italic | see Bembo Condensed Italic | 1933 | In house |
295 | Centaur | Roman | 1930 | In house (After Bruce Rogers) |
296 | Erfurter Fraktur | Withdrawn in 1964 (Destroyed) | 1930 | |
297 | Acier | Withdrawn in 1965 (Not issued) | 1931 | Reserved |
298 | Deutsch Romisch | Withdrawn in 1970 | 1930 | |
299 | Gill Sans Cameo Ruled | Roman | 1935 | Eric Gill |
299 | Gill SansUSerif Cameo Ruled | see Gill Sans Cameo Ruled | 1935 | Eric Gill |
300 | Ulmer Fraktur Fette | Withdrawn in 1964 (Destroyed) | 1930 | |
301 | Typewriter (No.6) | (Elite) Roman | 1930 | |
302 | Typewriter (No.7) | (Pica) Withdrawn in 1967 | 1930 | |
303 | Gloucester Bold | Withdrawn in 1965 | 1929 | Derived from Series 103 |
304 | Gill Sans Shadow Titling | Roman | 1931 | In house (After Eric Gill) |
304 | Gill SansUSerif Shadow | see Gill Sans Shadow Titling | 1931 | In house (After Eric Gill) |
305 | Kino | Roman | 1930 | M. Dovey |
306 | Crossword Puzzle Solution | 1930 | ||
307 | Antique (No.3) | Withdrawn in 1965 | 1927 | |
308 | Helen Fraktur | Withdrawn in 1964 (Destroyed) | 1934 | House St.? |
309 | Crossword Squares | Cancelled | ||
310 | Imprint Bold | Roman and Italic | 1930 | |
310 | Imprint Heavy (No.1) | see Imprint Bold | 1930 | |
311 | Kaatskill | Withdrawn in 1967 | 1932 | Frederic Goudy |
312 | Baskerville Bold | Roman and Italic | 1933 | |
312 | Baskerville Heavy | see Baskerville Bold | 1933 | |
313 | Baskerville Bold (No.2) | see Baskerville SemiUBold | 1932 | |
313 | Baskerville SemiUBold | Roman and Italic | 1932 | |
314 | Fridericus Antiqua | Roman and Italic | 1931 | Genzsch & Heyse |
315 | Hutten Fraktur | Withdrawn in 1964 (Destroyed) | 1931 | Genzsch & Heyse |
316 | Perpetua (No.3) | Withdrawn in 1967 | 1931 | |
317 | Gill Sans Bold Titling | Roman | 1931 | |
317 | Gill SansUSerif Titling | see Gill Sans Bold Titling | 1931 | |
318 | Grotesque Condensed (No.3) | Roman | 1931 | Berthold |
318 | SansUSerif Condensed | see Grotesque Condensed | 1931 | Berthold |
319 | Acier Grey and White | Not issued | 1931 | Deberny (Copyright) |
320 | Emerson | Roman and Italic | 1936 | Joseph Blumenthal |
321 | Gill Sans Extra Bold | Roman | 1931 | In house (After Eric Gill) |
321 | Gill SansUSerif Extra Heavy | see Gill Sans Extra Bold | 1931 | In house (After Eric Gill) |
322 | Script | see(Script Bold | 1931 | |
322 | Script Bold | 1931 | ||
323 | Falstaff | Roman and Italic | 1931 | Bauer |
324 | Albertus Titling | Roman | 1936 | In house (After Berthold Wolpe) |
325 | Tonic SolUFa | 1911 | ||
326 | Daily Mail Modern | Withdrawn in 1974 (Obsolete) | Unknown | |
327 | Times New Roman (Cyrillic) | |||
327 | Times New Roman | Roman and Italic | 1931 | In house (After Victor Lardent & Stanley Morison) |
328 | Times Bold Titling (No.2) | Roman | 1931 | In house (After Victor Lardent & Stanley Morison) |
328 | Titling Heavy (The Times) | see Times Bold Titling | 1931 | In house (After Victor Lardent & Stanley Morison) |
329 | Times Titling | Roman | 1931 | In house (After Victor Lardent & Stanley Morison) |
329 | Titling (The Times) | see Times Titling | 1931 | In house (After Victor Lardent & Stanley Morison) |
330 | Egyptian | see Egyptian Bold | 1928 | |
330 | Egyptian Bold | Withdrawn in 1967 | 1928 | |
331 | Zethmeyer Fraktur | Withdrawn in 1964 (Destroyed) | 1935 | |
332 | Times Bold Titling | Roman | 1932 | In house (After Victor Lardent & Stanley Morison) |
332 | Titling Bold (The Times) | see Times Bold Titling | 1932 | In house (After Victor Lardent & Stanley Morison) |
333 | Newspaper Smalls (The Times) | see Times Newspaper Smalls | 1931 | |
333 | Times Newspaper Small Ads. TwoULine | Roman | 1931 | |
334 | Times Bold (Cyrillic) | |||
334 | Bold (The Times) | see Times Bold | 1931 | In house (After Victor Lardent & Stanley Morison) |
334 | Times Bold | Roman and Italic | 1931 | In house (After Victor Lardent & Stanley Morison) |
335 | Newspaper Smalls (The Times) | see Times Newspaper Smalls | 1931 | |
335 | Times Newspaper Small Advertisements | Roman | 1931 | |
336 | Missal Medium | 1932 | Copyright (Exclusive to Desclée De Brouwer) | |
337 | Heavy Small Caps | Withdrawn in 1974 (Obsolete) | Unknown | Imprimerie Nationale? |
338 | Gill Sans Shadow (No.3) | Roman | 1932 | Eric Gill |
338 | Gill SansUSerif Two Colour | see Gill Sans Shadow No.3 | 1932 | Eric Gill |
339 | Times Extended Titling | Roman | 1931 | |
339 | Titling Extended (The Times) | see Times Extended Titling | 1931 | |
340 | Tamil Bold | 1932 | ||
340 | Tamil Heavy | see Tamil Bold | 1932 | |
341 | Bell | Roman and Italic | 1931 | Stephenson Blake |
342 | Ionic (No.2) | Roman and Italic | 1932 | |
343 | Gill Sans Bold Condensed | Roman | 1932 | Eric Gill |
343 | Gill SansUSerif Bold Condensed | see Gill Sans Bold Condensed | 1932 | Eric Gill |
344 | Typewriter (No.8) | (Imperial) Withdrawn in 1967 | 1932 | |
345 | Bold (The Times) | see Times Bold | 1932 | In house (After Victor Lardent & Stanley Morison) |
345 | Times Bold | Roman | 1932 | In house (After Victor Lardent & Stanley Morison) |
346 | Devanagari Bold | 1936 | ||
347 | Mardersteig | Withdrawn in 1967 | 1932 | Giovanni Mardersteig |
348 | Leysbourne | Withdrawn in 1965 | 1934 | In house |
349 | Gill Sans (No.2) | Roman and Italic | 1932 | In house (After Eric Gill) |
349 | Gill SansUSerif | see Gill Sans (No.2) | 1932 | In house (After Eric Gill) |
350 | Gill Sans Bold (No.2) | Roman | 1932 | In house (After Eric Gill) |
350 | Gill SansUSerif Bold | see Gill Sans Bold (No.2) | 1932 | In house (After Eric Gill) |
351 | Monoline Script | 1933 | In house | |
351 | Script Monoline | see Monoline Script | 1933 | In house |
352 | Centaur (No.2) | Roman and Italic | 1930 | |
353 | Gill Sans Poster | Roman | 1932 | In house (After Eric Gill) |
353 | Gill SansUSerif | see Gill Sans Poster | 1932 | In house (After Eric Gill) |
354 | Antique (No.2) | Withdrawn in 1967 | 1932 | Richard Herbert Stevens |
355 | Times Hever Titling | Roman | 1932 | In house (After Victor Lardent & Stanley Morison) |
355 | Titling Hever (The Times) | see Times Hever Titling | 1932 | In house (After Victor Lardent & Stanley Morison) |
356 | Old English Text | Withdrawn in 1967 | 1932 | |
357 | Bodoni (No.2) | Roman and Italic | 1932 | Intertype |
357 | Bodoni Book | see Bodoni | 1932 | Intertype |
358 | Times Titling | Withdrawn in 1967 (Scrapped) | Unknown | |
359 | Rockwell Bold Condensed | Roman | 1935 | |
359 | Rockwell Heavy Condensed | see Rockwell Bold Condensed | 1935 | |
360 | Bold (The Times) | see Times Bold | 1932 | In house (After Victor Lardent & Stanley Morison) |
360 | Times Bold (No.3) | Roman | 1932 | In house (After Victor Lardent & Stanley Morison) |
361 | Gloucester Bold Titling | Withdrawn in 1967 | 1935 | American Type Founders |
362 | Gill Sans Light (Cyrillic) | 1931 | In house (After Eric Gill) | |
362 | Gill Sans Light | Roman and Italic | 1931 | In house (After Eric Gill) |
362 | Gill SansUSerif Light | see Gill Sans Light | 1931 | In house (After Eric Gill) |
363 | Enge Fraktur Halbfette | Withdrawn in 1967 | 1933 | Bauer |
364 | Goudy Catalogue (No.2) | Roman and Italic | 1933 | |
365 | Grotesque Bold Condensed (No.6) | Withdrawn in 1967 | 1933 | American Type Founders |
365 | Heavy Narrow Gothic | see Grotesque Bold Condensed (No.6) | 1933 | American Type Founders |
366 | Bold Face | see Inflex Bold | 1933 | |
366 | Inflex Bold | Roman | 1933 | |
367 | Breitkopf Fraktur | Withdrawn in 1972 | 1932 | |
368 | Solus Bold | Withdrawn in 1967 | 1933 | |
368 | Solus Heavy | see Solus Bold | 1933 | |
369 | Jocunda | Withdrawn in 1967 | 1933 | Stanley Baxter |
370 | Bembo Titling (Cyrillic) | |||
370 | Aldine Bembo Titling | see Bembo Titling | 1930 | |
370 | Bembo Titling | Roman and Italic | 1930 | |
371 | Rockwell | Roman and Italic | 1933 | In house |
372 | Goudy Catalogue TwoULine | Withdrawn in 1965 | 1933 | In house |
373 | Gill Sans Bold Condensed Titling (Cyrillic) | |||
373 | Gill Sans Bold Condensed Titling (No.1) | Roman | 1933 | |
373 | Gill SansUSerif Extra Bold Titling | see Gill Sans Bold Condensed Titling | 1933 | |
374 | Walbaum | Roman and Italic | 1934 | Justus Erich Walbaum (Berthold) |
375 | Walbaum Medium | Roman and Italic | 1934 | |
376 | Baskerville Bold Titling | Withdrawn in 1965 | 1933 | |
377 | Baskerville Bold Large Face | Withdrawn in 1967 | 1933 | |
378 | Baskerville Bold Titling Condensed | Withdrawn in 1965 | 1933 | |
379 | Essener Fraktur Fette | Withdrawn in 1967 | 1933 | |
380 | Baskerville Extra Bold Titling | Withdrawn in 1967 | 1933 | |
381 | Baskerville Titling | Withdrawn in 1965 | 1933 | In house |
382 | Musical Signs | 1933 | ||
383 | Grotesque Condensed (Cyrillic) | |||
383 | Condensed Heavy Grotesque | see Grotesque Condensed (No.4) | 1933 | Fonderie Turlot |
383 | Grotesque Condensed (No.4) | Roman | 1933 | Fonderie Turlot |
383 | Grotesque Condensed Heavy | see Grotesque Condensed (No.4) | 1933 | Fonderie Turlot |
384 | Hessen Fraktur | Withdrawn in 1964 (Destroyed) | 1934 | |
385 | Script | see Wenceslas Script | 1933 | |
385 | Wenceslas Script | Withdrawn in 1967 | 1933 | |
386 | Perpetua (No.2) | Withdrawn in 1967 | 1933 | |
387 | Blücher Fraktur Fette | Withdrawn in 1967 | 1934 | Bauer |
388 | Grock | Roman | 1934 | |
389 | Grotesque Light (No.3) | Withdrawn in 1967 | 1934 | Miller & Richard |
389 | Grotesque No.2 | see Grotesque Light (No. 3) | 1934 | Miller & Richard |
390 | Rockwell Light | Roman and Italic | 1934 | In house |
391 | Rockwell Bold | Roman and Italic | 1934 | In house |
391 | Rockwell Heavy | see Rockwell Bold | 1934 | In house |
392 | Theuerdank Fraktur | Withdrawn in 1964 | 1935 | |
393 | Missal | Roman | 1934 | Henri & Jules Desclée (Copyright) |
394 | Poltawski | Roman | 1934 | |
395 | Gloucester Bold Extra Condensed | Roman | 1934 | American Type Founders |
396 | Gloucester Extra Condensed | Roman | 1934 | In house |
396 | Gloucester Old Style Extra Condensed | see Gloucester Extra Condensed | 1934 | In house |
397 | Menhart | Roman and Italic | 1934 | Oldrich Menhart |
398 | Poltawski Bold | Roman | 1934 | |
399 | Felix Titling | Roman | 1934 | In house |
400 | Emerson (No.2) | Withdrawn in 1967 | 1936 | Joseph Blumenthal |
401 | Leibniz Fraktur | Withdrawn in 1967 | 1935 | |
402 | Nastaliq | Cancelled | Unknown | |
403 | Fontana | Roman and Italic | 1933 | Alexander Wilson |
404 | Porson Condensed (Greek) | Withdrawn in 1967 | 1935 | Derived from Series 106 |
405 | Grotesque Light Condensed (No.3) | Withdrawn in 1967 | 1935 | |
405 | Grotesque Narrow | see Grotesque Light Condensed (No.3) | 1935 | |
405 | Narrow Grotesque | see Grotesque Light Condensed (No.3) | 1935 | |
406 | Gill Sans Shadow (No.1) | Roman | 1936 | In house (After Eric Gill) |
406 | Gill SansUSerif Shadow No.1 | see Gill Sans Shadow No.1 | 1936 | In house (After Eric Gill) |
407 | Antique (No.4) | Withdrawn in 1965 | 1930 | |
408 | Gill Sans Shadow (No.2) | Roman | 1936 | In house (After Eric Gill) |
408 | Gill SansUSerif Shadow No.2 | see Gill Sans Shadow No.2 | 1936 | In house (After Eric Gill) |
409 | Arabic (Egyptian Government) | Cancelled in 1946. Superseded by Series 549 | Unknown | |
410 | Imprint Bold (No.2) | Roman and Italic | 1934 | Derived from Series 310 |
410 | Imprint Heavy No.2 | see Imprint Bold | 1934 | Derived from Series 310 |
411 | Pierre Didot | Withdrawn in 1965 | 1935 | |
412 | Clarendon (No.2) | Withdrawn in 1967 | 1935 | Miller & Richard |
413 | Breitkopf Fraktur Halbfette | Withdrawn in 1972 | 1936 | Berthold |
414 | Rockwell Condensed | Roman | 1935 | Derived from Series 359/371 |
415 | Arabic Display | Cancelled in 1950 | Unknown | |
416 | Ionic (No.7) | Withdrawn in 1967 | 1935 | Linotype |
417 | Hessen Fraktur Halbfette | Withdrawn in 1964 (Destroyed) | 1936 | |
418 | Mainzer Fraktur (No.2) | Withdrawn in 1967 | 1935 | |
419 | Condensed Latin | see Grotesque Condensed Titling | 1935 | Benjamin Krebs Nachfolger (Schmale Renaissance) |
419 | Latin Condensed | Roman | 1935 | Benjamin Krebs Nachfolger (Schmale Renaissance) |
420 | Runic Condensed | Roman | 1935 | Stephenson Blake? |
421 | Times New Roman SemiUBold | Roman and Italic | 1935 | In house (After Victor Lardent & Stanley Morison) |
422 | Modern (No.7) | Withdrawn in 1965 | 1935 | Linotype |
423 | Jean Paul Fraktur | Withdrawn in 1967 | 1946 | |
424 | Rockwell Extra Bold | Roman | 1935 | In house |
424 | Rockwell Extra Heavy | see Rockwell Extra Bold | 1935 | In house |
425 | Divina Comedia | Destroyed | Unknown | |
426 | Telugu | Withdrawn in 1969 | 1936 | |
427 | Times New Roman Wide | Roman and Italic | 1932 | Derived from Series 327 |
428 | Bembo Bold | Roman and Italic | 1935 | In house |
428 | Bembo Heavy | see Bembo Bold | 1935 | In house |
429 | Palace Script | 1936 | Stephenson Blake | |
430 | Gill Face | Destroyed | Unknown | |
431 | Floriated Capitals | Roman | 1936 | Eric Gill |
432 | Mainzer Fraktur Halbfette | Withdrawn in 1964 | 1935 | Berthold |
433 | Gill Moiree Shadow | Destroyed | Unknown | In house (After Eric Gill) |
434 | Shadow French | Withdrawn | Unknown | |
435 | Heavy Shadow French | Withdrawn | Unknown | |
436 | Dorchester Script | 1937 | In house | |
436 | Script: Dorchester | see Dorchester Script | 1937 | In house |
437 | Fontana Bible Face | Roman and Italic | 1936 | In house (Copyright) |
438 | Plantin Titling | Roman | 1936 | Derived from Series 110 |
439 | Goudy Titling | Roman | 1936 | Frederic Goudy |
440 | Titling | Withdrawn in 1965 | 1936 | Miller & Richard |
441 | Goudy Bold (No.2) | Roman and Italic | 1936 | Derived from Series 269 |
442 | Gill Sans Ultra Bold | Roman | 1936 | Eric Gill |
442 | Gill SansUSerif Ultra Bold | see Gill Sans Ultra Bold | 1936 | Eric Gill |
442 | Gill Ultra Bold | see Gill Sans Ultra Bold | 1936 | Eric Gill |
443 | Fontana Titling | Destroyed | Unknown | |
444 | Modern (No.9) | Cancelled in 1936 | Unknown | |
445 | Tempest | Withdrawn in 1973 | 1936 | Copyright (Exclusive to London Press Exchange) |
446 | Breitkopf Fraktur Fette | Withdrawn in 1972 | 1936 | |
447 | Modern Extended (No.3) | Withdrawn in 1965 | 1936 | |
448 | Missal No.3 | 1936 | Copyright | |
449 | Alte Monotype Fraktur Halbfette | see Alte Fraktur Fette | 1936 | |
449 | Alte Fraktur Fette | Withdrawn in 1964 (Destroyed) | 1936 | |
450 | Laudian Old Style | Roman and Italic | 1936 | |
451 | Ionic (No.6) | Withdrawn in 1967 | 1936 | |
452 | Emery | Withdrawn in 1965 | Unknown | |
453 | Ehrhardt | Roman and Italic | 1937 | |
453 | Pitman s i.t.a. | |||
454 | Laudian Old Style | Destroyed | Unknown | |
455 | Script: Temple | see Temple Script | 1937 | P. Wilms |
455 | Temple Script | 1937 | P. Wilms | |
456 | Old English Text (No.2) | 1934 | ||
456 | Old English Text Light | see Old English Text (No.2) | 1934 | |
457 | SachsenwaldUGotisch | Withdrawn in 1967 | 1936 | |
458 | Romulus | Roman and Italic | 1937 | Jan Van Krimpen |
459 | Missal (No.4) | 1936 | Copyright (Exclusive to Desclée De Brouwer) | |
460 | Gujerathi | 1937 | ||
461 | Perpetua Bold | Roman and Italic | 1936 | Eric Gill |
462 | Indicateur | Withdrawn in 1967 | 1936 | |
463 | Rundgotisch | Withdrawn in 1972 | 1936 | |
464 | Egyptian Condensed (No.4) | Withdrawn in 1967 | 1936 | |
465 | Egyptian Extended | Destroyed | Unknown | |
466 | Breitkopf Roman | Cancelled in 1936 | Unknown | Derived from Series 367 |
467 | Breitkopf Fraktur | Withdrawn in 1967 | 1935 | |
468 | Gill Sans Bold Extra Condensed | Roman | 1937 | In house (After Eric Gill) |
468 | Gill SansUSerif Bold Extra Condensed | see Gill Sans Bold Extra Condensed | 1937 | In house (After Eric Gill) |
469 | Bulmer | Roman and Italic | 1936 | William Martin |
470 | Bengali | 1937 | ||
471 | Modern (No.8) | Withdrawn in 1967 | 1936 | Derived from Series 7 |
472 | Greek: Inclined (Greek) | 1936 | To match Series 7 | |
473 | Greek (Greek) | Withdrawn in 1967 | 1936 | To match Series 169 |
474 | Times New Roman Heavy Book | Destroyed | Unknown | |
475 | Light Script | see Script Light | 1937 | |
475 | Script Light | 1937 | ||
476 | Ionic | Destroyed | Unknown | |
477 | Century Schoolbook Bold | Roman | 1966 | |
478 | Joanna | Roman and Italic | 1937 | Eric Gill |
479 | Emerson | Destroyed | Unknown | |
480 | Perpetua Light Titling | Roman | 1937 | In house (After Eric Gill) |
480 | Perpetua Titling Light Face | see Perpetua Light Titling | 1937 | In house (After Eric Gill) |
481 | Albertus | Roman | 1938 | Berthold Wolpe |
482 | Uhlen Con Bold Fraktur | Withdrawn in 1973 (Cancelled) | Unknown | |
482 | Ullstein Fraktur Fette Enge | see Uhlen Con Bold Fraktur | Unknown | |
483 | Uhlen Rundgotisch | Withdrawn in 1972 | 1938 | |
484 | Gustavus Bold | Withdrawn in 1965 | 1937 | |
485 | Gill Sans Condensed(Cyrillic) | |||
485 | Gill Sans Condensed | Roman | 1937 | In house (After Eric Gill) |
485 | Gill SansUSerif Medium Condensed | see Gill Sans Condensed | 1937 | In house (After Eric Gill) |
486 | Heavy Greek (Greek) | see SansUSerif | 1937 | |
486 | SansUSerif (Greek) | 1937 | ||
487 | Gill (heb) | Withdrawn in 1967 | 1938 | Eric Gill |
488 | Mayer Pointed (heb) | 1938 | ||
489 | Peninim (heb) | 1937 | Derived from Series 217 | |
490 | Lamp | Cancelled | Unknown | |
491 | Anchor | Cancelled | Unknown | |
492 | Mayer (heb) | 1938 | ||
493 | Grosvenor Script | 1937 | ||
493 | see Grosvenor Script | 1937 | ||
494 | Bruce Rogers | In abeyance in 1967 | 1953 | Reserved |
495 | B.O.A.C. (British Overseas Airways Corporation) | Proofs record from 1937 | Unknown | Derived from Series 239 & 327 |
496 | Matura | Roman | 1938 | Imre Reiner |
497 | Gustavus Light | Withdrawn in 1965 | Unknown | |
498 | Enschedé Fraktur | Withdrawn in 1967 | 1938 | |
499 | Sachsenwald Mager | Withdrawn in 1965 | 1938 | |
500 | Modern Timetable | Withdrawn in 1967 | 1938 | |
501 | Clarendon Timetable | Withdrawn in 1967 | 1938 | |
502 | Grotesque Timetable | Withdrawn in 1967 | 1938 | |
503 | Bold Face | see Inflex Timetable | 1938 | |
503 | Inflex Timetable | 1938 | ||
504 | Bodoni (No.5) | Roman and Italic | 1938 | |
505 | Light Extra Condensed | see Placard Light Extra Condensed | 1939 | |
505 | Placard Light Extra Condensed | Roman | 1939 | |
506 | Placard Bold Condensed (Cyrillic) | |||
506 | Placard Bold Condensed (No.1) | Roman | 1939 | |
507 | Urdu | 1939 | ||
508 | Pegasus | Roman | 1940 | Berthold Wolpe |
509 | Bembo SemiUBold | Roman and Italic | 1938 | In house |
510 | Chatsworth | Withdrawn in 1965 | 1938 | |
511 | Condensa | Italic | 1939 | In house |
512 | Dürer Fraktur Halbfette | Withdrawn in 1965 (Scrapped) | Unknown | |
513 | Dürer Fraktur Fette | Withdrawn in 1965 | 1939 | |
514 | Fanfare Titling | Destroyed | Unknown | |
515 | Placard Bold Condensed (Cyrillic) | |||
515 | Placard Bold Condensed (No.2) | Roman | 1939 | |
516 | Fanfare Bold Condensed Italic Titling | Italic | 1939 | Copyright (Exclusive to Fanfare Press) |
517 | L.P.T.B. Titling | Withdrawn in 1965 | 1938 | |
518 | Gujerathi Bold | 1939 | ||
519 | Propylaen Fraktur | Withdrawn in 1964 (Destroyed) | Unknown | |
520 | Romulus Bold | Roman and Italic | 1940 | Jan Van Krimpen |
520 | Van Krimpen Bold | see Romulus Bold | 1940 | Jan Van Krimpen |
521 | Berliner Fraktur | Withdrawn in 1965 (Destroyed) | Unknown | |
522 | Placard Condensed Titling (Cyrillic) | |||
522 | Light Placard Titling | see Placard Condensed Titling | 1939 | |
522 | Placard Condensed Titling | Roman | 1939 | |
522 | Titling | see Placard Condensed Titling | 1939 | |
523 | Condensed Heavy Grotesque Titling | see Grotesque Condensed Titling | 1939 | |
523 | Grotesque Condensed Titling | Roman | 1939 | |
524 | Grotesque Bold Titling | Roman | 1939 | |
524 | Grotesque Titling | see Grotesque Bold Titling | 1939 | |
525 | Gill Sans Bold Condensed Titling | Roman | 1939 | In house (After Eric Gill) |
526 | Gill Sans Extra Bold Titling | Roman | 1939 | |
526 | Gill Sans Extra Heavy Titling | see Gill Sans Extra Bold Titling | 1939 | |
527 | Grotesque Bold Condensed Titling | Roman | 1939 | |
527 | Narrow Gothic Titling | see Grotesque Bold Condensed Titling | 1939 | |
528 | Matura Scriptorial Capitals | (goes with Matura 496) | 1939 | Imre Reiner |
529 | Bodoni Bold Condensed (Cyrillic) | |||
529 | Bodoni Bold Condensed | Roman and Italic | 1939 | |
529 | Bodoni Heavy Condensed | see Bodoni Bold Condensed | 1939 | |
530 | Uhlen Rund Gotisch Caps | Withdrawn in 1964 (Destroyed) | Unknown | |
531 | Haarlemmer | Withdrawn in 1967 | 1940 | Jan Van Krimpen |
532 | Prayer Book Face (OUP) | Cancelled | Unknown | |
533 | Gravura | Withdrawn in 1965 | 1939 | Imre Reiner |
534 | Albertus Light | Roman | 1940 | Berthold Wolpe |
535 | Glamour Bold | see L.M.M.Co. Series 237 | Unknown | Based on Glamour Bold (Lanston Monotype No. 237) |
535 | L.M.M.Co. Series 237 | Cancelled in 1945 | Unknown | Number reused (Joanna Semi Bold 1986?) |
536 | Figaro | Roman | 1940 | |
537 | Morison Face | Withdrawn in 1974 | Unknown | |
538 | Albertus Bold Titling | Roman | 1940 | Berthold Wolpe |
539 | Georgian Light | Withdrawn in 1972 | 1940 | |
540 | Georgian Bold | Withdrawn in 1972 | 1940 | |
541 | AS 364 7¾ | Cancelled in 1941 | Unknown | Number reused (Joanna Bold?) |
542 | Arabic Bold | Destroyed | Unknown | |
543 | Perpetua Titling | Withdrawn in 1967 | 1942 | Eric Gill |
544 | Old Style Bold (No.5) | Roman | 1943 | |
545 | Century Bold | Withdrawn in 1967 | 1944 | Ludlow |
546 | Century Bold Extended | Withdrawn in 1967 | 1944 | Ludlow |
547 | Hebrew Schocken No.1 (heb) | Withdrawn in 1974 | 1947 | Restricted |
548 | Lectern Missal | Roman | 1947 | Derived from Series 320 |
549 | Arabic Naskh | 1946 | ||
550 | Hebrew Schocken No.2 (heb) | Withdrawn in 1967 | 1947 | Restricted |
551 | Hebrew Schocken No.3 (heb) | Withdrawn in 1967 | Unknown | Restricted |
552 | Sheldon: Bible Face | 1951 | Copyright (Exclusive to Oxford University Press) | |
553 | Old Style Bold Inclined (Greek) | 1946 | ||
554 | Festival Titling | 1950 | Philip Boydell | |
555 | Angelus | Roman and Italic | 1954 | John Peters |
556 | Spectrum | Roman and Italic | 1952 | Jan Van Krimpen |
557 | Sinhalese | 1954 | ||
558 | Burmese Light | 1953 | ||
559 | Arabic Solloss | 1952 | ||
560 | Times Bold (No.4) | 1952 | In house (After Victor Lardent & Stanley Morison) | |
561 | Perpetua SemiUBold | Cancelled in 1963 | Unknown | |
562 | Ionic TwoUline | Roman | 1952 | |
563 | Ehrhardt (No.2) | Withdrawn in 1974 | Unknown | |
564 | Syriac Estrangelo | 1953 | ||
565 | Times Upright (Greek) | 1955 | ||
566 | Times Inclined (Greek) | 1955 | ||
567 | Times Bold Upright (Greek) | 1955 | ||
568 | Placard Condensed (Cyrillic) | |||
568 | Placard Condensed | Roman | 1937 | |
568 | Placard Medium Condensed | see Placard Condensed | 1937 | |
569 | Times 4Uline Mathematics | 1958 | To match Series 327 | |
570 | Modern Bold | Roman | 1955 | |
571 | Gill Sans Inclined (Greek) | 1959 | To match Series 262 | |
572 | Gill Sans Upright (Greek) | 1954 | To match Series 262 | |
573 | Ehrhardt SemiUBold | Roman and Italic | 1955 | |
573 | Pitman s i.t.a. | see Ehrhardt SemiUBold | 1955 | |
574 | Ashley Script | 1955 | Ashley Havinden | |
575 | Gill Sans Bold (No.3) | Withdrawn in 1967 | 1937 | In house (After Eric Gill) |
576 | Monophoto Pen Script | Unknown | ||
577 | Thai | 1954 | ||
578 | Burmese Bold | 1953 | ||
579 | Jacno | Experimental | Unknown | |
580 | Tamil Medium | 1952 | ||
581 | Tamil Bold | Cancelled | Unknown | |
582 | Rockwell Light Condensed | Roman and Italic | 1958 | Derived from Series 390 |
583 | Swing Bold | 1955 | ||
584 | Mercurius Bold Script | 1957 | ||
585 | Gill Sans Condensed (Greek) | 1954 | ||
586 | Fabritius | Roman | 1961 | Fabritius & Sonner |
587 | Georgian | 1955 | ||
588 | Kannada | 1962 | ||
589 | Arabic Naskh Accented | 1956 | Derived from Series 549 | |
590 | Malayalam | 1958 | ||
591 | Onyx | Roman | 1955 | Gerry Powell |
592 | Dante | Roman and Italic | 1955 | Giovanni Mardersteig |
593 | Klang | 1955 | Will Carter | |
594 | Bruce Rogers Titling | ReUused, see Joanna ExtraUBold | Unknown | Research |
594 | Joanna ExtraUBold | Unknown | ||
595 | Headline Bold | Roman and Italic | 1956 | Stephenson Blake |
596 | Futura Buchschrift | Suspended in 1960 | Unknown | |
597 | Old Bulgarian | 1956 | ||
598 | Glagolitic | 1956 | ||
599 | Amharic | 1957 | ||
600 | Castellar | Roman | 1957 | John Peters |
601 | Gurmukhi Bold | 1957 | ||
602 | Typewriter IBM "Executive | Roman | 1958 | |
603 | Octavian | Roman and Italic | 1962 | Will Carter & David Kindersley |
604 | Gurmukhi | 1958 | ||
604 | Gurmukhi Light | see Gurmukhi | 1958 | |
605 | Placard Light Extra Condensed (Greek) | 1954 | Derived from Series 505 | |
606 | New Face (Frankfurt) | Suspended in 1964 | Unknown | |
607 | Horley Old Style Light | Suspended in 1964 | Unknown | Linotype |
608 | Thai Light | 1958 | ||
609 | Louvain Coptic | 1959 | Derived from Series 486 | |
610 | New Emerald Bible | Restricted | 1959 | Oxford University Press |
611 | Thai Bold | 1958 | Derived from Series 577 | |
612 | Dante Titling | Roman | 1959 | Giovanni Mardersteig |
613 | Pepita | 1959 | Imre Reiner | |
614 | Forte | 1960 | Carl Reissberger | |
615 | New Grotesque | Withdrawn in 1974 (apart from "A") | Derived from Series 215 | |
616 | New Grotesque Bold | Withdrawn in 1974 (apart from "A") | Derived from Series 216 | |
617 | New Clarendon | Roman and Italic | 1960 | From Caslon punches |
618 | New Clarendon Bold | Roman | 1960 | From Caslon punches |
619 | Bell Gothic | Roman | 1959 | Linotype |
620 | Bell Gothic Bold | Roman | 1959 | Linotype |
621 | Thai Medium | 1959 | ||
622 | Twentieth Century Medium | for Monophoto | 1960 | Lanston Monotype No.605 |
623 | Modern | for Monophoto | 1960 | Lanston Monotype No.8 |
624 | Amharic | 1961 | ||
625 | Gill Sans Bold Upright (Greek) | 1959 | Derived from Series 275 | |
626 | Telugu Medium | 1954 | ||
627 | Times New Roman Book | Roman and Italic | 1952 | Derived from Series 427 |
628 | Thai Light Italic | 1960 | Derived from Series 608 | |
629 | Traveller | Roman | 1963 | John Peters |
630 | News Gothic | for Monophoto | 1962 | Lanston Monotype No.206 |
631 | News Gothic Condensed | for Monophoto | 1962 | Lanston Monotype No.204 |
632 | Fleet Titling | Roman | 1967 | John Peters |
633 | Chinese | Withdrawn in 1974 | Unknown | |
634 | Twentieth Century Light | for Monophoto | 1962 | Lanston Monotype No.606 |
635 | Twentieth Century Bold | for Monophoto | 1962 | Lanston Monotype No.604 |
636 | Figaro Bold | Cancelled in 1967 | Unknown | |
637 | Twentieth Century Extra Bold | for Monophoto | 1962 | Lanston Monotype No.603 |
638 | Armenian | 1961 | ||
639 | Times Cosmoli Titling | Withdrawn in 1966 (Destroyed) | Unknown | |
640 | Arabic: Lakhdar Nashri Light | 1961 | Restricted | |
641 | Arabic: Lakhdar Nashri Bold | 1961 | Restricted | |
642 | Arabic: Lakhdar Nashri Roca | 1961 | Restricted | |
643 | Berling | Roman and Italic. Withdrawn in 1973 | 1963 | KarlUErik Forsberg |
644 | Berling SemiUBold | Roman. Withdrawn in 1973 | 1963 | KarlUErik Forsberg |
645 | Apollo | for Monophoto | 1964 | Adrian Frutiger |
646 | Janson | Withdrawn in 1972, for Monophoto | 1962 | Lanston Monotype No.401 |
647 | News Gothic Bold | for Monophoto | 1962 | Lanston Monotype No.93 |
648 | Bulmer (American) | Suspended | Unknown | |
649 | Arabic Naskh Bold | 1959 | ||
650 | Century Schoolbook | Roman and Italic | 1962 | Lanston Monotype No.420 |
651 | Century Schoolbook Bold | Roman | 1961 | Lanston Monotype No.620 |
652 | Opus | Cancelled in 1966 | Unknown | K. Knapp |
653 | Century Bold | for Monophoto | 1962 | Lanston Monotype No.118 |
654 | Bookman Old Style | for Monophoto | 1962 | Lanston Monotype No.98 |
655 | Franklin Gothic | for Monophoto | 1962 | Lanston Monotype No.107 |
656 | Caslon Bold | for Monophoto | 1962 | Lanston Monotype No.79 |
657 | Sinhalese Bold | 1956 | ||
658 | Century Expanded | for Monophoto | 1962 | Lanston Monotype No.20 |
659 | Arabic Naskh Accented Bold | 1961 | Derived from Series 589 | |
660 | Malayalam | 1962 | ||
661 | News Gothic Bold Condensed | for Monophoto | 1963 | Lanston Monotype No.205 |
662 | Gill Sans Light (No.2) | Roman | 1958 | In house (After Eric Gill) |
663 | Plantin SemiUBold | Roman and Italic | 1967 | |
664 | Albertina | for Monophoto | 1969 | Chris Brand |
665 | Apollo SemiUBold | for Monophoto | 1964 | Adrian Frutiger |
666 | News Grotesque Light | Withdrawn in 1967 (apart from "A") | Unknown | Derived from Series 126 |
667 | Times Bold Inclined (Greek) | 1965 | Derived from Series 334 | |
668 | Placard Condensed Upright (Greek) | 1959 | Derived from Series 568 | |
669 | Sabon | Roman and Italic | 1967 | Jan Tschichold |
670 | Bengali Bold | Cancelled in 1967 | Unknown | |
671 | Gill Sans Light Inclined (Greek) | 1962 | Derived from Series 662 | |
672 | Gill Sans Light Upright (Greek) | 1959 | Derived from Series 662 | |
673 | Sabon SemiUBold | Roman | 1967 | Jan Tschichold |
674 | Walbaum (No.2) | Roman and Italic | 1957 | Justus Erich Walbaum |
675 | Gill Sans Bold Inclined (Greek) | 1962 | Derived from Series 275 | |
676 | Adamas | for Monophoto | 1965 | Copyright (Exclusive to Herder, Freiburg) |
677 | Adamas SemiUBold | for Monophoto | 1965 | Copyright (Exclusive to Herder, Freiburg) |
678 | Burmese Medium | Experimental | Unknown | |
679 | Urdu Nastaliq | Unknown | ||
680 | Grotesque Bold | Roman | 1962 | To match Series 620 |
681 | Lutheran | for Monophoto | 1964 | |
682 | Dante SemiUBold | Roman and Italic | 1968 | Giovanni Mardersteig |
683 | Grotesque Condensed Upright (Greek) | 1959 | Derived from Series 383 | |
684 | Univers Extra Light Extra Condensed | Roman (39) | 1968 | Adrian Frutiger (Deberny & Peignot) |
685 | Univers Light | Roman and Italic (45/46) | 1961 | Adrian Frutiger (Deberny & Peignot) |
686 | Univers Light Condensed | Roman and Italic (47/48) | 1963 | Adrian Frutiger (Deberny & Peignot) |
687 | Univers Light Extra Condensed | Roman (49) | 1966 | Adrian Frutiger (Deberny & Peignot) |
688 | Univers Medium Expanded | Roman (53) | 1964 | Adrian Frutiger (Deberny & Peignot) |
689 | Univers Medium | Roman and Italic (55/56) | 1961 | Adrian Frutiger (Deberny & Peignot) |
690 | Univers Medium Condensed | Roman and Italic (57/58) | 1963 | Adrian Frutiger (Deberny & Peignot) |
691 | Univers Medium Extra Condensed | Roman (59) | 1966 | Adrian Frutiger (Deberny & Peignot) |
692 | Univers Bold Expanded | Roman (63) | 1964 | Adrian Frutiger (Deberny & Peignot) |
693 | Univers Bold | Roman and Italic (65/66) | 1961 | Adrian Frutiger (Deberny & Peignot) |
694 | Univers Bold Condensed | Roman and Italic (67/68) | 1963 | Adrian Frutiger (Deberny & Peignot) |
695 | Univers Extra Bold Expanded | Roman (73) | 1964 | Adrian Frutiger (Deberny & Peignot) |
696 | Univers Extra Bold | Roman and Italic (75/76) | 1961 | Adrian Frutiger (Deberny & Peignot) |
697 | Univers Ultra Bold Expanded | Roman (83) | 1964 | Adrian Frutiger (Deberny & Peignot) |
698 | Sinhalese Italic | 1967 | Derived from Series 557 | |
699 | Sinhalese Bold Italic | 1967 | Derived from Series 657 | |
700 | Bengali | 1966 | ||
701 | Bengali Bold | 1966 | ||
702 | New Berolina | 1965 | Martin Wilke | |
703 | Wolters Map Face | 1965 | J.B. Wolters | |
704 | Gujerathi | 1970 | From foundry types | |
705 | Malayalam | Original Drawings | ||
706 | Oriya | From original drawings | ||
707 | Urdu Bold | Withdrawn in 1966 | 1962 | Derived from Series 507 |
708 | x | Tamil Medium | 1968 | From foundry types |
709 | Microgramma Condensed | 1967 | Alessandro Butti & Aldo Novarese (Nebiolo) | |
710 | Microgramma | 1967 | Alessandro Butti & Aldo Novarese (Nebiolo) | |
711 | Microgramma Bold | 1967 | Alessandro Butti & Aldo Novarese (Nebiolo) | |
712 | Eurostile Extended | 1967 | Aldo Novarese (Nebiolo) | |
713 | Eurostile Bold Extended | 1967 | Aldo Novarese (Nebiolo) | |
714 | Trianon Outline | 1972 | Heinrich Wieynck (Bauer) | |
715 | Koren Hebrew Book Face | 1970 | Deberny & Peignot | |
716 | Koren Hebrew Bold | 1970 | Deberny & Peignot | |
717 | Bruce Old Style | 1969 | Lanston Monotype No.31 | |
718 | Grotesque Condensed Upright (Greek) | 1959 | Derived from Series 318 | |
719 | Arabic Naskh | 1965 | Derived from Series 549 | |
720 | Melior | 1970 | Hermann Zapf | |
721 | Farsi | 1969 | ||
722 | Optima | 1969 | Hermann Zapf | |
723 | Binny Old Style | 1969 | Lanston Monotype No.21 | |
724 | Times Condensed | 1971 | ||
725 | Times Bold Condensed | 1971 | ||
726 | Telugu Bold | 1967 | Derived from Series 626 | |
727 | Times New Roman (Light Caps) | Roman | 1955 | |
728 | Sistina | 1971 | D. Stempel AG | |
729 | Arabic Naskh Bold | 1967 | Derived from Series 719 | |
730 | Melior SemiUBold | 1970 | Hermann Zapf | |
731 | Devanagari: Univers Medium | 1973 | Adrian Frutiger | |
732 | Optima SemiUBold | 1969 | Hermann Zapf | |
733 | Hebrew: Alachsoni | 1969 | ||
734 | Hebrew: Dak Jerushalmi | 1969 | ||
735 | Hebrew: Ave Jerushalmi | 1969 | ||
736 | Hebrew: Dak | 1969 | ||
737 | Hebrew: Ave | 1969 | ||
738 | Armenian Bold | Unknown | ||
739 | Spartan Light Upright (Greek) | 1959 | Derived from Series 139 | |
740 | Spartan Upright (Greek) | 1959 | Derived from Series 140 | |
741 | Spartan Bold Upright (Greek) | 1959 | Derived from Series 141 | |
742 | Vijapure Devanagari | 1971 | G.P. Vijapure | |
743 | Vijapure Devanagari Bold | 1971 | G.P. Vijapure | |
744 | Focus | 1970 | Donald Hailey | |
745 | Neographik | 1970 | Robert Barbor | |
746 | Windsor | 1971 | Stephenson Blake | |
747 | Photina | 1971 | Jose Mendoza y Almeida | |
748 | Photina SemiUBold | 1971 | Jose Mendoza y Almeida | |
749 | Arabic | 1966 | Derived from Series 549 | |
750 | Folio Light | 1972 | Konrad F. Bauer & Walter Baum | |
751 | Folio Medium | 1972 | Konrad F. Bauer & Walter Baum | |
752 | Folio Medium Extended | 1972 | Konrad F. Bauer & Walter Baum | |
753 | Caledonia | 1972 | William Addison Dwiggins | |
754 | Caledonia Bold | 1972 | William Addison Dwiggins | |
755 | Devanagari Italic | 1966 | Derived from Series 155 | |
756 | Spectrum SemiUBold | Roman and Italic | 1972 | In house (After Jan Van Krimpen) |
757 | Century Old Style | 1972 | American Type Founders | |
758 | Urdu | Inverted, Reverse Standard | 1976 | Derived from Series 507 |
759 | Arabic Bold | 1966 | Derived from Series 649 & 749 | |
760 | Bodoni Bold Titling | Roman | 1963 | Derived from Series 260 |
761 | Compacta Light | 1972 | Letraset | |
762 | Compacta | 1972 | Letraset | |
763 | Compacta Bold | 1972 | Letraset | |
764 | Helvetica Light | 1975 | Max Miedinger (Stempel/Linotype) | |
765 | Helvetica | Roman and Italic | 1972 | Max Miedinger (Stempel/Linotype) |
766 | Helvetica Medium | Roman and Italic | 1972 | Max Miedinger (Stempel/Linotype) |
767 | Old Bulgarian: Slawjanski | 1977 | ||
768 | Urdu Bold | Inverted, Reverse Standard | 1976 | Derived from Series 707 |
769 | Chemical Formulae | 1968 | To match Series 327 | |
770 | Sinhalese | 1973 | Derived from Series 577 | |
771 | Sinhalese Bold | 1972 | Derived from Series 657 | |
772 | Arabic: Koufi Bold | 1970 | ||
773 | Plantin Light | Roman and Italic | 1970 | |
774 | Souvenir Light | 1975 | Edward Benguiat (I.T.C.) | |
775 | Souvenir Medium | 1975 | Edward Benguiat (I.T.C.) | |
776 | Souvenir Demi | 1975 | Edward Benguiat (I.T.C.) | |
777 | Souvenir Bold | 1975 | Edward Benguiat (I.T.C.) | |
778 | American Typewriter Light | 1975 | Joel Kaden (I.T.C.) | |
779 | American Typewriter Medium | 1975 | Joel Kaden (I.T.C.) | |
780 | American Typewriter Bold | 1975 | Tony Stan (I.T.C.) | |
781 | American Typewriter Light Condensed | 1975 | Joel Kaden (I.T.C.) | |
782 | American Typewriter Medium Condensed | 1975 | Joel Kaden (I.T.C.) | |
783 | American Typewriter Bold Condensed | 1975 | Tony Stan (I.T.C.) | |
784 | Arabic Naskh | Inverted, Reverse Standard | 1978 | Derived from Series 719 |
785 | Coronet | Unknown | Ludlow | |
785 | Victor Clark Face | see Coronet, reUused | Unknown | Victor Clark |
786 | Coronet Bold | Unknown | Ludlow | |
786 | Victor Clark Face Bold | see Coronet Bold, reUused | Unknown | Victor Clark |
787 | Kannada SemiUBold | 1971 | ||
788 | Kannada Bold | 1968 | ||
789 | Tiffany Light | 1976 | Edward Benguiat (I.T.C.) | |
790 | Tiffany Medium | 1976 | Edward Benguiat (I.T.C.) | |
791 | Tiffany Demi | 1976 | Edward Benguiat (I.T.C.) | |
792 | Tiffany Heavy | 1976 | Edward Benguiat (I.T.C.) | |
793 | Serif Gothic Light | 1976 | Herb Lubalin & Toni di Spigna (I.T.C.) | |
794 | Serif Gothic Regular | 1976 | Herb Lubalin & Toni di Spigna (I.T.C.) | |
795 | Serif Gothic Bold | 1976 | Herb Lubalin & Toni di Spigna (I.T.C.) | |
796 | Serif Gothic Extra Bold | 1976 | Herb Lubalin & Toni di Spigna (I.T.C.) | |
797 | Serif Gothic Heavy | 1976 | Herb Lubalin & Toni di Spigna (I.T.C.) | |
798 | Serif Gothic Black | 1976 | Herb Lubalin & Toni di Spigna (I.T.C.) | |
799 | Zapf Book Light | 1976 | Hermann Zapf (I.T.C.) | |
800 | Zapf Book Medium | 1976 | Hermann Zapf (I.T.C.) | |
801 | Zapf Book Demi | 1976 | Hermann Zapf (I.T.C.) | |
802 | Zapf Book Heavy | 1976 | Hermann Zapf (I.T.C.) | |
803 | 20th Century Medium Condensed | 1978 | Lanston Monotype No.608 | |
804 | Arabic Naskh Bold | Inverted, Reverse Standard | 1978 | Derived from Series 729 |
805 | Calvert Extra Light | 1979 | Margaret Calvert | |
806 | Calvert Light | 1979 | Margaret Calvert | |
807 | Calvert Medium | 1979 | Margaret Calvert | |
808 | Calvert Bold | 1979 | Margaret Calvert | |
809 | Calvert Extra Bold | 1979 | Margaret Calvert | |
810 | Biffo | Unknown | David Marshall | |
811 | Gauthiers Typeface | Unknown | Imprimerie Nationale | |
812 | Armenian Arrarat | 1978 | ||
813 | Armenian Arrarat Bold | 1978 | ||
814 | Nimrod | 1980 | Robin Nicholas | |
815 | Arabic: Sara | Unknown | Ahmed Ali | |
816 | Arabic Naskh Abridged | Inverted, Reverse Standard | Unknown | Derived from Series 749 |
817 | Arabic ASV Codar Light | Unknown | Lakhdar | |
818 | Arabic ASV Codar SemiUBold | Unknown | Lakhdar | |
819 | News Plantin | 1979 | In house, The Observer | |
820 | News Plantin Bold | 1979 | In house, The Observer | |
821 | Helvetica Condensed | 1979 | Letraset, Haas | |
822 | Helvetica Bold | 1979 | Letraset, Haas | |
823 | Helvetica No.2 Bold Condensed | 1979 | Letraset, Haas | |
824 | Helvetica Extra Bold | 1979 | Letraset, Haas | |
825 | Cooper Black | 1979 | Letraset, American Type Founders | |
826 | Arabic Naskh Bold Abridged | Unknown | Derived from Series 759 | |
827 | Times New Roman (French) | Roman and Italic | 1955 | |
828 | Helvetica Compact | 1979 | Letraset, Haas | |
829 | Palace Script | Unknown | Derived from Series 429 | |
830 | Chinese: Hong Kong Originals | Unknown | ||
831 | Arabic Newstext (Akhbar) | Unknown | In house | |
832 | Nimrod Bold | 1982 | Robin Nicholas | |
833 | Engravers Old English | 1980 | American Type Founders | |
834 | Times Extra Bold | Unknown | ||
835 | Brush Script | 1980 | American Type Founders | |
836 | Helvetica Bold Extended | 1980 | Max Miedinger (Stempel/Linotype) | |
837 | Excelsior | 1980 | Chauncey H. Griffith (Linotype) | |
838 | Excelsior Bold | 1980 | Chauncey H. Griffith (Linotype) | |
839 | Candida | 1980 | Ludwig & Mayer | |
840 | Candida Bold | 1980 | Ludwig & Mayer | |
841 | Candida SemiUBold | 1982 | Ludwig & Mayer | |
842 | Candida Condensed | Unknown | Reserved | |
843 | Candida Bold Condensed | Unknown | Reserved | |
844 | Neuzeit S | 1980 | Berthold | |
845 | Neuzeit S Bold | 1980 | Berthold | |
846 | Helvetica Medium Extra Condensed | 1980 | Haas | |
847 | Helvetica Medium Extended | 1980 | Haas | |
848 | Helvetica Extended | 1980 | Haas | |
849 | Photina Bold | 1982 | Jose Mendoza y Almeida | |
850 | Univers Bold Extra Condensed | 1980 | In house (After Adrian Frutiger) | |
851 | Arabic Akhbar Bold | Unknown | Derived from Series 831 | |
852 | 20th Century Bold Condensed | 1980 | Lanston Monotype No.612 | |
853 | Palatino | 1982 | Hermann Zapf | |
854 | Palatino Bold | 1982 | Hermann Zapf | |
855 | Devanagari | for Filmsetter | 1971 | In house |
856 | Devanagari Bold | for Filmsetter | 1971 | In house |
857 | Lightline Gothic | 1982 | American Type Founders | |
858 | Helvetica Compressed | 1981 | Haas | |
859 | Arabic Assabah | Unknown | Assabah | |
860 | Arabic Assabah Bold | Unknown | Assabah | |
861 | Avant Garde Gothic Extra Light | 1981 | Herb Lubalin (I.T.C.) | |
862 | Avant Garde Gothic Book | 1981 | Herb Lubalin (I.T.C.) | |
863 | Avant Garde Gothic Medium | 1981 | Herb Lubalin (I.T.C.) | |
864 | Avant Garde Gothic Demi | 1981 | Herb Lubalin (I.T.C.) | |
865 | Avant Garde Gothic Bold | 1981 | Herb Lubalin (I.T.C.) | |
866 | Avant Garde Gothic Book Condensed | 1981 | Herb Lubalin (I.T.C.) | |
867 | Avant Garde Gothic Medium Condensed | 1981 | Herb Lubalin (I.T.C.) | |
868 | Avant Garde Gothic Demi Condensed | 1981 | Herb Lubalin (I.T.C.) | |
869 | Avant Garde Gothic Bold Condensed | 1981 | Herb Lubalin (I.T.C.) | |
870 | Sinhalese Italic | for Filmsetter | Unknown | Derived from Series 698 & 770 |
871 | Egyptienne Bold Condensed | Unknown | Reserved | |
872 | Clearface Regular | 1981 | International Typeface Corporation | |
873 | Clearface Bold | 1981 | International Typeface Corporation | |
874 | Clearface Heavy | 1981 | International Typeface Corporation | |
875 | Clearface Black | 1981 | International Typeface Corporation | |
876 | Windsor Elongated | 1981 | Letraset | |
877 | Bookman Medium | 1981 | International Typeface Corporation | |
878 | Helvetica Extra Compressed | 1981 | Haas | |
879 | Bookman Bold | 1981 | International Typeface Corporation | |
880 | Bookman Demi | 1982 | International Typeface Corporation | |
881 | Bookman Light | 1982 | International Typeface Corporation | |
882 | Helvetica Inserat | Unknown | Stempel Haas | |
883 | Grotesque Black | 1981 | Derived from Series 680 | |
884 | Unknown | Unknown | Reserved for Univers Greek Upright | |
885 | Univers Light Upright (Greek) | Unknown | Deberny & Peignot | |
886 | Unknown | Unknown | Reserved for Univers Greek Upright | |
887 | Unknown | Unknown | Reserved for Univers Greek Upright | |
888 | Unknown | Unknown | Reserved for Univers Greek Upright | |
889 | Univers Medium Upright (Greek) | Unknown | Deberny & Peignot | |
890 | Univers Medium Condensed Upright (Greek) | Unknown | Deberny & Peignot | |
891 | Unknown | Unknown | Reserved for Univers Greek Upright | |
892 | Unknown | Unknown | Reserved for Univers Greek Upright | |
893 | Univers Bold Upright (Greek) | Unknown | Deberny & Peignot | |
894 | Unknown | Unknown | Reserved for Univers Greek Upright | |
895 | Unknown | Unknown | Reserved for Univers Greek Upright | |
896 | Unknown | Unknown | Reserved for Univers Greek Upright | |
897 | Unknown | Unknown | Reserved for Univers Greek Upright | |
898 | Helvetica Ultra Compressed | 1982 | Haas | |
899 | Helvetica Medium Condensed | 1982 | Haas | |
900 | Helvetica Bold Condensed | 1982 | Haas | |
901 | 20th Century Ultra Bold | 1982 | Lanston Monotype No.609 | |
902 | 20th Century Extra Bold Condensed | 1982 | Lanston Monotype No.609 | |
903 | 20th Century Ultra Bold Extended | Unknown | Reserved | |
904 | Korinna | 1981 | International Typeface Corporation | |
905 | Korinna Bold | 1981 | International Typeface Corporation | |
906 | Korinna Extra Bold | 1982 | International Typeface Corporation | |
907 | Korinna Heavy | 1982 | International Typeface Corporation | |
908 | Clearface Gothic DemiUBold | 1982 | American Type Founders | |
909 | Clearface Gothic Bold | 1982 | American Type Founders | |
910 | Futura Light | Unknown | Reserved | |
911 | Futura Book | Unknown | Reserved | |
912 | Futura Medium | Unknown | Paul Renner | |
913 | Futura Demibold | Unknown | Paul Renner | |
914 | Futura Bold | Unknown | Paul Renner | |
915 | Futura Condensed | Unknown | Reserved | |
916 | Futura Bold Condensed | Unknown | ||
917 | Clarion | Unknown | Derived from Series 814 | |
918 | Clarion Bold | Unknown | Derived from Series 832 | |
919 | Egyptienne F. | Unknown | Adrian Frutiger | |
920 | Egyptienne F. Bold | Unknown | Adrian Frutiger | |
921 | Egyptienne F. Black | Unknown | Reserved | |
922 | Helvetica Bold Outline | Unknown | for Moores Business | |
923 | Hungry Dutch | 2020 | Russell Maret | |
923 | Icone Light | Unknown | Reserved | |
924 | Icone | Unknown | Adrian Frutiger | |
925 | Icone Bold | Unknown | Adrian Frutiger | |
926 | Icone Extra Black | Unknown | Reserved | |
927 | Times Small Ads | Unknown | Derived from Series 327 | |
928 | 20th Century Semi Medium | Unknown | Lanston Monotype No.609 | |
929 | Prestige Elite (IBM) | Unknown | ||
930 | Meridien | Unknown | Adrian Frutiger | |
931 | Meridien Medium | Unknown | Reserved | |
932 | Meridien Bold | Unknown | Adrian Frutiger | |
933 | Horley Old Style Semi Bold | Unknown | Derived from Series 199 | |
934 | Arial Light | Unknown | Reserved | |
935 | Arial Medium | Unknown | Robin Nicholas & Patricia Saunders | |
936 | Arial Semi Bold | Unknown | Robin Nicholas & Patricia Saunders | |
937 | Arial Bold | Unknown | Reserved | |
938 | Arial Extra Bold | Unknown | Robin Nicholas & Patricia Saunders | |
939 | Courier 10 pitch | Unknown | ||
940 | Courier 12 pitch | Unknown | ||
941 | Futura Extra Bold | Unknown | Paul Renner | |
942 | Futura Black | Unknown | Paul Renner | |
943 | Arial Light Condensed | Unknown | Reserved | |
944 | Arial Medium Condensed | Unknown | Reserved | |
945 | Arial Semi Bold Condensed | Unknown | Reserved | |
946 | Arial Bold Condensed | Unknown | Reserved | |
947 | Courier 12 pitch Italic | Unknown | ||
948 | Nimrod Headline | Unknown | Robin Nicholas | |
949 | Nimrod Headline Bold | Unknown | Robin Nicholas | |
950 | Photina Extra Bold | Unknown | Jose Mendoza y Almeida | |
951 | Aster | Unknown | Francesco Simoncini | |
952 | Aster Bold | Unknown | Francesco Simoncini | |
953 | Arial Light Expanded | Unknown | Reserved | |
954 | Arial Medium Expanded | Unknown | Reserved | |
955 | Arial Semi Bold Expanded | Unknown | Reserved | |
956 | Arial Bold Expanded | Unknown | Reserved | |
957 | Old Style | Unknown | ||
958 | Unknown | Unknown | ||
959 | Unknown | Unknown | ||
960 | Unknown | Unknown | ||
961 | Canterbury | see Ciantoria (reUnamed) | Unknown | |
961 | Ciantoria | Unknown | ||
962 | Unknown | Unknown | ||
963 | Unknown | Unknown | ||
964 | Unknown | Unknown | ||
965 | Unknown | Unknown | ||
966 | Helvetica Medium Outline | Unknown | Letraset | |
967 | Helvetica Light Condensed | Unknown | Haas | |
968 | Corona | Unknown | Chauncey H. Griffith (Linotype) | |
969 | Corona Bold | Unknown | Chauncey H. Griffith (Linotype) | |
970 | Bembo SemiUBold | Unknown | Derived from Series 270 | |
971 | Antique Olive Light | Unknown | Roger Excoffon (Fonderie Olive) | |
972 | Antique Olive Normal | Unknown | Roger Excoffon (Fonderie Olive) | |
973 | Antique Olive Semi Bold | Unknown | Roger Excoffon (Fonderie Olive) | |
974 | Antique Olive Bold | Unknown | Roger Excoffon (Fonderie Olive) | |
975 | Antique Olive Compact | Unknown | Roger Excoffon (Fonderie Olive) | |
976 | Antique Olive Condensed | Unknown | Roger Excoffon (Fonderie Olive) | |
977 | Antique Olive Bold Condensed | Unknown | Roger Excoffon (Fonderie Olive) | |
978 | Antique Olive Extended | Unknown | Roger Excoffon (Fonderie Olive) | |
979 | Antique Olive Black | Unknown | Roger Excoffon (Fonderie Olive) | |
980 | Bembo ExtraUBold | Unknown | Derived from Series 270 | |
981 | Oron Medium (heb) | Unknown | for IBM | |
982 | Oron Bold (heb) | Unknown | for IBM | |
983 | Helvetica Light Extended | Unknown | Haas | |
984 | 20th Century Ultra Bold Condensed | Unknown | Lanston Monotype No.609 | |
985 | Univers Light Inclined (Greek) | Unknown | Deberny & Peignot | |
986 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
987 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
988 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
989 | Univers Medium Inclined (Greek) | Unknown | Deberny & Peignot | |
990 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
991 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
992 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
993 | Univers Bold Inclined (Greek) | Unknown | Deberny & Peignot | |
994 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
995 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
996 | Univers Extra Bold Inclined (Greek) | Unknown | Deberny & Peignot | |
997 | Unknown | Unknown | Reserved for Univers Greek Inclined | |
998 | Hebrew: Ave Bold | Held in abeyance | Unknown | |
999 | Hebrew: Alachsoni Bold | Held in abeyance | Unknown | |
1000 | Nastaliq (ar) | Unknown | ||
a294 | Goudy Bold (Sorts) | Withdrawn before 1966 | ||
H | Titling (Caps) | Roman | ||
M | Gothic | Roman |